She’s looking for a band performance, which is great.”Ī country-tinged cover of Neil Young’s “Don’t Be Denied” gains a darker energy with a gender-flipped main character wearing “white chucks” instead of bucks, and then there’s the R&B-tilted early single “Flipside,” which was partly inspired by Les McCann’s 1971 soul-jazz classic, “Compared to What.” “Norah has grown more into who she is,” said Blade, who also played on “Come Away With Me.” “Not that she wasn’t confident from the beginning, but just in terms of in the studio and capturing performances, she worked in a very holistic way. Then in the end I just thought, we’ll just cover the song,” Jones said. Because I wanted something cool like this to play with Wayne. “I was listening to a lot trying to get some juju from it. Shorter’s bright, twisting tone can be heard on the purring ballad “Burn” (co-written by Jones with Sarah Oda) as well as a poignant cover of Silver’s “Peace” and a hushed take on Ellington’s “Fleurette Africaine,” which is the album’s most delicate moment with Jones on piano and humming the song’s hazy melody before giving way to Shorter. “People who took the trail less trodden – there’s very few people on that trail but that trail took them more places.” “If you go through the arc today, most of the sounds are like people on the highway sounding like the person in front of them,” he added. “Ella Fitzgerald had a sound, Billie Holiday had a sound. No matter what she sings,” said Shorter, reached by phone at his L.A.
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